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July 13, 2012
by Lauren
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Prairie Victorian

I didn’t mean to do this. Whoops.

Prairie Victorian Blouse: Grand Abandon Vintage

Orange Accordion Shorts: Free People via Crossroads Trading Co.

Linen Booties: Kimchi Blue via Crossroads Trading Co.

Hat: Aldo via Crossroads Trading Co.

Embroidered Clutch: Grand Abandon Vintage

 

July 3, 2012
by Lauren
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Grand Abandon Loves Simon Evans

Simon Evans has a story to tell. According to an inspiring interview with The San Francisco Bay Guardian Evans, moved from London to San Francisco to skateboard professionally. It was here that he realized skateboarding wasn’t ‘it’ for him–so he began to yearn for more. He turned to writing first. And he worked at it to the point that “every word was very difficult.” Then he landed smack on a sketchbook–a world he hadn’t ever really decided to touch before–and decided he would draw something. And draw he did. See for yourself.

“Everything I Have” by Simon Evans

All artwork by Simon Evans. Images from James Cohan Gallery. jamescohan.com

June 29, 2012
by Lauren
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Sun Kil Moon “Elaine”

I’m going to talk about Sun Kil Moon again today because the song “Elaine” on Among The Leaves is, um, incredible. It’s storytelling at it’s most delicate passage–starting off in the thick of a problem and then slowly revealing why we should care. The song begins with a soothing strumming of guitar and Kozelek’s resigned affect contrasted by patrolling unfiltered beams of harshly somber morning realizations. It’s the reality of the terror of the night before. The story begins with a call from the hospital explaining Elaine was found “high on crack cocaine.” It moves to the narrator in trepidation “feeling bad and full of shame, that I somehow contributed to your pain, I wish I could help you with your problems but, Babe, I got enough of my own.” Elaine’s cat jumps on the narrator’s lap and he decides to just take a nap. It’s details like this–these intimate, human moments(feeling fatigue and overcome with sadness, the desire for comfort, the desire for things to be okay) manifested through a cat and a nap–that involve the listener and cause us to invest ourselves into the well-being of the characters.

Then the song breaks off–the soft guitar strum turns into a furiously plucked cow-folk stomp-down and Kozelek’s cadence becomes pressured and deliberate, passionate and resolved. He sings of Elaine in the clouds, of loving “sweet Elaine”, of crying and crying “like a baby, I cried,” of wanting to get rid of his record collection, all of his records and “the recollections,” and burying them “in the past, don’t want to hear the songs.” Then the song breaks again and for pause, pause, pause we are left to think it’s over in a sad heap. But the soft strumming gutters through again, now more boldly even than the pounded strings just moments ago. The sweetness collects at the surface and we are relieved and glean ressurgance of heart as he describes helping an 8 lb. heavier Elaine put her bags into a taxi trunk. We are still left to our own devices to make sense of the story, but we have these snippets to help us along the way of processing it. Kozelek masters the art of taking his listener under his wing by crafting stories through inclusion of carefully chosen observations and details and paralleling musical textures and tempos. “Elaine” demands our contemplation, and because it is presented to us with such thoughtfulness, we don’t mind one bit.

June 25, 2012
by Lauren
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Sun Kil Moon “Sunshine In Chicago”

Do you know the feeling of rediscovering a favorite musician? It can be a profound experience. This recently happened to me with Mark Kozelek. I just forgot how much his music means to me. This piggybacks on recent reflection of this letter to the young NPR music intern Emily who shot off some rockets by stating that she doubts she and her peers “will ever pay for albums. I do think we will pay for convenience.” It was upon reading the gracious response letter by David Lowery on The Trichordist, that I felt both 1.)sadness for musicians and the disconnect between love for the music and love/care/support of the musician behind the music and 2.)a reinvigoration of doing all I can to support musicians.

As I listen to Sun Kil Moon’s latest album, Among The Leaves, I am reminded of Kozelek’s beautifully stripped-down, ever-endearing world weariness and the dry humor he bears it with. In particular, Sunshine In Chicago initiated the rediscovery with its graceful, open-book stream of sense, plain-faced thoughts, everyday events, personal history and timely observations. I laughed a little bit when he sings about his back hurting, because it is amidst this deep, human-longing, sort of greater story going on. According to Caldo Verde, he wrote this song “just before taking the stage at a Chicago venue last year.” Wow. And that is what is so great, because it is a true reflection of life actually as it is happening. But Kozelek always manages to transcend the physical even when he is approaching us at his most minute-by-minute bookkeeping sort of state. It’s almost as if the physical is a metaphor for the spiritual aching that we feel as human beings.

I feel an urgency to support musicians more than ever. Thank you to Emily and David and all involved in this important conversation. Thank you to all musicians.

Album cover from Caldo Verde Records.

June 24, 2012
by Lauren
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On The Hanger: 8000nerves

I can’t say enough about 8000nerves. So here’s a bit more.

I fell in love with this punchy red blouse that is part country maiden, part saucy aristocrat. Kind of like a cross between Rufus Wainwright and Loretta Lynn. It has a boxy fit, with bronze buttons down the back, contrasted with the soft feel and the feminine gleam of the material. The slightly sheer bib collar with retro bloomer ruffle edging gives it a pop of morning light magic. The red is so-o vibrant and the silk-like material makes it even more visually dynamic. Depending on where the light catches, the shirt almost sparkles in places. It feels very grown-up to me–dense with color, lush with contrast, and just so well-made.

This dress is just so adorable. It’s a classic mini shift with hedges of edged scalloping. And it kind of has the look of a two piece dress. The minty green and paneled bodice embodies a 1960′s summer, and would make anyone want to go swimming in their bloomers.

This one gets my goat. It’s  just a perfect combination between a simple and wonderfully quirky little dress.

This orange dress is a catch. Upside down single stem between two triangle collar petals. Perfectly symmetrical. Perfectly ironic. A happy sadness. A quaint, dollopy, pedaling day full of simple wonders.

Eyes with flirtatious black tassle lashes and a cute little red pout. I got so many compliments on this shirt when I was taking photos. I feel like it just makes people smile.

This purple dress is stunning. It’s one of the dresses, that you can’t envision the potential or magic of when it is on the hanger. Efi recommended to me to turn it around backwards and belt it which was such an awesome styling tip. Backwards, it is really flattering and quasi-nautical with the slight crease from the front banded drape tipping effortlessly into a slight sailor bib. It made me feel like this classy dame from the 1920′s, and all the while, I felt like it was mere trickery because the dress is so ridiculously comfortable. The color purple(not the book) dresses it up and speaks to 8000nerves thoughtful design and understanding of color.

June 21, 2012
by Lauren
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Contrasting Inspiration

Photo by Eileen Polk on diggallery.com

Neck scarves. Blazers. Lapels. Tank tops. Dark roots. Bracelets. Rings. Nails. Contrast. Black. White. Brazen. Poised. As is. Debonaire. Yes.

Heart of glass was one of my favorite songs when I was in middle school. Ha. This makes me laugh. It was one of those types of songs I would call in to the radio station about fifty times until I got through, and request it, and then sit for another several hours waiting until they played it. I thought there was just something so cold and aggressively collected about it, but the beat kept it peppy and just slightly disheveled. Stiffly danceable. Kind of like the black and white Deborah Harry ruminates. Her spoiled roots are terse and shameless against a pouty blonde fountain of hair. Her dapper menswear, punkish tomboy remoteness, dainty jewelry, gypsy eyes, well-manicured nails, and rustic confidence are all so very lovely.

June 12, 2012
by Lauren
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The Touch Of Color: 8,000 Nerves

8,000 Nerves pairs pretty patterns and silhouettes with bold color and a fresh-as-May way of doing a print. The line is a nervy mix between retro-saturated and modernist simplistic. 8,000 Nerves stood out to me the first time I stumbled upon the line. It had been a long time since I’d seen all of my favorite styles packed into one dress–geek chic, preppy, demure, collared, neck-bowed, boldly patterned, mod, sleek. And on top of all this, the garments are made from powdery-soft, delicately flowing materials. Light becomes brittle when it touches this material. And your skin feels like you just put on a something made out of a butterfly. Though 8,000 Nerves is so much more than the color it dares to embrace, I decided to feature some of my favorite colorful pieces from the line. From Red all the way to Violet, the line proves color is wonderful and should be applied generously.

Instead of the overly decadent uber girly allover floral print trend that we are seeing everywhere, 8,000 Nerves features an ironic single stem–and it’s not even facing the “right” direction. There designs are dissolving the all too oft stone-faced fashion persona, yanking open the curtains and shedding copious light onto it’s smile. Fashion can be both fun and charming AND smart and this is what 8,000 Nerves understands. But make no mistake–8000 Nerves is as serious as the color the line dares to embrace. It is art in the form of fashion.

I love how 8,000 Nerves plays with girly bows and frills and welds them with simple shapes and harsh contrasts. The brand incorporates forms and styles that you don’t often see together and the outcome is this frail edginess–this sneaky, mischievous, but utterly dainty ballerina tiptoeing over the line between expectation and innovation. They’ve given some brains to frills.

I had the pleasure of chatting with the super sweet and passionate Efi Green of 8,000 Nerves to see what inspires the four sisters to kick up a new kind of fashion dust.

Grand Abandon: Tell me about 8,000 Nerves. How did you get your start and who is behind this special line?

Efi Green: I started 8000nerves in 2011 as a collaboration with my 3 sisters. We’ve all worked in the industry in both the creative and technical fields so we thought it only seemed natural to combine our knowledge and talent to create 8000nerves.

GA: Tell me about some ups and downs of the fashion industry.

EG: Well, it is tough out there. Creating a brand is much more than making pretty clothing. There is a long stretch between having an idea, making it real, and making people care once it is real. In the end of the day, we are making a product and there is so much to invest in getting people to believe in the product. People want to know what’s behind it, and if you can get it on someone important to wear it, suddenly the brand has that much more value. When you’re passionate about what you do, others begin to believe in it as well. We know we can make great stuff. The challenge is to get it out into the big, big world.

GA: What inspires your designs? What does your creative process look like?

EG: Well, we get inspired by what is going on in the market. I like to take bits and pieces of the market so that we stay on trend, and mix it with all of our innovation. The secret is to make something familiar, but new. I love texture and color so that always gets me loopy. I get inspired by lots of stuff…vintage shopping, movies, music, things that make me laugh… I generally start with some basic concepts and add, subtract, and change… I start with an initial idea and let myself run free in the possibilities. I build and keep building until I feel really good about what I’ve created. There is always room for adding and changing, but at one point I need to make final decisions and run with it.

GA: You include a lot of repeating imagery and details ie. animals, shapes, the collar form, and a lot of color. Tell me about this.

EG: I love humor and vintage things so I started designing mainly with that in mind.  The line is evolving as we grow from super quirky to more sophisticated and feminine.  I’m excited to see how the line will continue to develop.

GA: I toss this idea around a lot and I think it’s interesting to hear people’s opinion on it. It can be argued that art brings hope or that it causes us to reflect on ourselves and the human condition. How is fashion MORE than just an aesthetic preference? How is fashion, like art, meaningful on an intellectual/spiritual/human level?

EG: I love this question.  Man, I have personally grown so much as a person by developing this line.  It is easy to create in a room all by myself, but to create something that people want to spend money on can be a challenge and this venture of creating 8000nerves has been a very deep exploration for me.  It has put in perspective the things that are really important to me and has driven me to keep chugging forward even when things get tough.  We don’t want to be just another fashion line out there in the market.  Our philosophy is for a woman to feel empowered and confident in herself.  Doubt about yourself and fear will hold you back in the world and we want to spread the message that we are all allowed to be individuals.  You only live once so don’t let anyone tell you that you can’t do something, and dress the part of the free spirited, colorful person that you can be!

GA: What do you think represents an “8,000 Nerves” woman?

EG: A strong, free spirited woman. The idea is to embrace the notion to love, live life to the fullest, and put aside all the negative stuff that makes us unhappy.  Search for what makes you happy, and when you find it, puts lots of it in your world.

GA: Can you name a song or a musician that reflects or inspires 8,000 Nerves?

EG: I love Raw Geronimo! Her music and personality is always inspirational!

GA: Who is your personal style icon?

EG: Mary Quant who was ballsy enough to invent the mini skirt :)

GA: What is your favorite fashion era?

EG: I love the 60′s with all the colors and collars.

GA: What was your style growing up? How has it evolved?

EG: Hahaha.  Personally, I was kind of a weird kid.  In terms of fashion, I was very eclectic.  I always kinda just wore whatever I wanted, and still do.

And now, a few takes on songs from The Voice Project that put me in the mind of the 8,000 colors of 8,000 Nerves. Feel the color<3

June 11, 2012
by Lauren
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Sunset Junction

Oh the places you will go…Silverlake Edition.

Oh my heart.

Surprise fellow walker and enjoyer of the day. Why hello, didn't see you there.

Reform School

Mohawk General Store. Pretty shoes by Dieppa Restrepo.

 

Reform School:

Local Artists’ community garden–where artwork is planted and begs to grow. Plentiful crop. Material bulbous and ripping at the seams to be chewed over. Yes Vintage in the back. YES!

Mohawk General Store:

You’ll have to go elsewhere for your Mentos. This shiny penny houses very well-made, special clothing, shoes, and jewelry. Way expensive, but fun to look:)

Also check out: Intelligentsia Coffee, Cru, Silverlake Art, Craft and Vintage Fair, Silverlake Market, Black Hogg, Local and so many more <3

At Reform School with my Intelligentsia Iced Coffee. Behind me is Yes Vintage. Wearing one of my faves 8,000 Nerves(more of which to come verrry soon)...

 

 

June 6, 2012
by Lauren
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Don’t Mind If I Do: Jelly Shoes

I just picked up a pair of vintage jelly shoes or “jellies.” I’ve had them for barely one day and I can already say for certain they are my summer jam.

Some reasons why to say yes to jellies:

1. The name. I love a good nicknamed shoe. Think “trainers” or “wellies.”

2. The no-mess factor. Spray me with water. Throw ketchup on my feet.

3. Wearability. Clear goes with everything.

4. Youthful style. Bold colors and ultra bendy.

5. Invention. They are a great invention. And a personal favorite. This idea I do not back down from.

If you are interested in getting some for your own tootsies here are a few that I quite like:

From Take Your Time Vintage on Etsy:

From Heather Mara Campos on Etsy:

From Mary Alice Felt Like It on Etsy:

The Jellies Playlist

Radiohead – Nude

Iron & Wine – Jesus The Mexican Boy

The National – 90-Mile Water Wall

Andrew Bird – Sifters

Ola Podrida – Sink Or Swim

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